Volume 27, Issue 1 (2020)                   AIJH 2020, 27(1): 21-43 | Back to browse issues page

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khaledian S, arab H. Analysis of the Continuity of Sassanid Motifs in the Islamic Period: Case Study of Motifs of Islamic pottery. AIJH 2020; 27 (1) :21-43
URL: http://aijh.modares.ac.ir/article-31-39052-en.html
1- archaeology, Shiraz University of Art , s.khaledian@shirazartu.ac.ir
2- archaeology, Shiraz University of Art
Abstract:   (3052 Views)
The Sassanid era is one of the brightest periods of art and civilization in Iran. There are major remains of many different types: monumental rock reliefs, silver vessels, stucco architectural decoration, and seals.
Sassanid art and culture could affect on the Islamic arts in Iran, including in the field of urbanism, architecture, textiles, metallurgy, painting, pottery. There are a lot of motifs that are very similar to the Sassanid ones.
 The Sassanid Empire had an enduring legacy in the Islamic period. On the one hand, the continuation of certain artistic techniques, such as silk production, plate, and stucco, may be attributed to the caliph’s practical marshaling of Sassanid artists to the service of the new state. In some cases, motifs on the artwork of the Islamic era do not show only a simple pattern of previous art, but we see full compliance and a copy of the Sassanid motifs. The pottery as well as cultural and artistic works belonging to the Islamic period too show that they were not unaffected by the Sassanid period. Here, an attempt is being made to study the transition of culture and art of the Sassanid era to the Islamic period. The study of the pottery motifs in the Islamic period can specify the amount of influence and the reasons for the transfer of Sassanid art. This research focuses on the designs of Islamic pottery that are much similar to the Sassanid motifs.
 
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Article Type: مقالات علمی پژوهشی | Subject: Arts and Humanities (General)
Received: 2019/12/21 | Accepted: 2020/01/13 | Published: 2020/04/30

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