Volume 28, Issue 3 (2021)                   AIJH 2021, 28(3): 17-43 | Back to browse issues page

XML Persian Abstract Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Moin J, Mostafavi Nia S M R, Parvin N. Stylistic Analysis of Spiritual Rhythm in the Ode Taeet Al-Kabra of Ibn Farraz Mesri. AIJH 2021; 28 (3) :17-43
URL: http://aijh.modares.ac.ir/article-31-45270-en.html
1- Al-Mustafa International University, Mashhad , Jmoein56@yahoo.com
2- Qom University
3- Shahid Mahallati Higher Education Complex, Qom
Abstract:   (1779 Views)
Stylistic as one of the methods of understanding contemporary critical linguistics discovers the thought process of literary figures with the study of their inner world, aim and thought as well as their personal style. Spiritual music is one of the levels of linguistic analysis that is important in stylistic study process. The Ode Taeet al-Kabra is an immortal work of Ibn Farraz Mesri, a 7th century Egyptian poet, mystic and author that with more than 700 verses is identified as "Nazm al-Saluk ". In addition to divine love and mysticism, it is also known for its beautiful text as well as literary and rhetorical mastery. This study examines the rhythm of al-Kabra's ideality with a descriptive-analytical method and relying on stylistics. The results indicate that Ibn Farraz in his story by using coherent and epic phonemes and different types of prose, provides a symphony of comfort in the layout of space of letter and words that audience are interesting and affected with.
 
Full-Text [PDF 522 kb]   (578 Downloads)    
Article Type: مقالات علمی پژوهشی | Subject: Arts and Humanities (General)
Received: 2020/09/5 | Accepted: 2020/11/18 | Published: 2021/09/23

Add your comments about this article : Your username or Email:
CAPTCHA

Send email to the article author


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.