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Due to its certain elements and limits, the exemplum brings about poetic and narrative nature in a coordinated structure in order to realize dynamism in the text with easy access to wide conceptual burden that poems cannot transfer lonely, accordingly, contemporary exemplum, today, welcomes narrative techniques and its symbols. Mohammed al-Maghout, a contemporary Syrian poet, makes use of narrative techniques in his exemplum by applying simple words and expressions which normally combines reality and fancy to advance events and accomplish them. The present descriptive-analytical research aims to address main narrative signs in a sample of three divans of Mohammed al-Maghout. Results indicate that the poet mostly uses quadruple narrative techniques, while he is not bounded to a sequence and uniformity of the texture, which it gives profundity and an upward trend along accumulation of events. Description of places in his works simulates a partial look or a close appearance and, for him, narration time circulates around time differences for recovering and anticipating time alongside the time length technique for determining rate of events. Methods of developing characters in his poems are blazoned over steady function of pronouns, especially the first-person which is turned to footsteps of the main character, that is, narrator

Keywords: narration, texture, time, place, character, Mohammed al-Maghout.

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